This anthology is a thorough introduction to classic literature for those who have not yet experienced these literary masterworks. For those who have known and loved these works in the past, this is an invitation to reunite with old friends in a fresh new format. From Shakespeare’s finesse to Oscar Wilde’s wit, this unique collection brings together works as diverse and influential as The Pilgrim’s Progress and Othello. As an anthology that invites readers to immerse themselves in the masterpieces of the literary giants, it is must-have addition to any library

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Dear Reader,

I'm sorry to say that the book you are holding in your hands is extremely unpleasant. It tells an unhappy tale about three very unlucky children. Even though they are charming and clever, the Baudelaire siblings lead lives filled with misery and woe. From the very first page of this book when the children are at the beach and receive terrible news, continuing on through the entire story, disaster lurks at their heels. One might say they are magnets for misfortune.

In this short book alone, the three youngsters encounter a greedy and repulsive villain, itchy clothing, a disastrous fire, a plot to steal their fortune, and cold porridge for breakfast.

It is my sad duty to write down these unpleasant tales, but there is nothing stopping you from putting this book down at once and reading something happy, if you prefer that sort of thing.

With all due respect,
Lemony Snicket

Based on true events, ELIZABETH STREET is a multigenerational saga that opens in an Italian village in the 1900's, and crosses the ocean to New York's Lower East Side. At the heart of the novel is Giovanna, whose family is targeted by the notorious Black Hand -the precursor to the Mafia. Elizabeth Street brings to light a period in history when Italian immigrant neighborhoods lived in fear of Black Hand extortion and violence-a reality that defies the romanticized depiction of the Mafia. Here, the author reveals the merciless terror of the Black Hand-and the impact their crimes had on her family. Giovanna is based on Fabiano's great-grandmother, and the book's heroes and villains - such as Lieutenant Petrosino, the crusading cop and "Lupo the Wolf," a cold-blooded criminal - are drawn from real life in this thrilling tale. While set in a dynamic historical context, Elizabeth Street is, above all, the dramatic story of the heroine, Giovanna, and how she triumphed over tragedy.

Book Description: In Elizabeth Street, Laurie Fabiano tells a remarkable, and previously unheard, story of the Italian immigrant experience at the start of the twentieth century. Culled from her own family history, Fabiano paints an entrancing portrait of Giovanna Costa, who, reeling from personal tragedies, tries to make a new life in a new world. Shot through with the smells and sights of Scilla, Italy, and New York’s burgeoning Little Italy, this intoxicating story follows Giovanna as she finds companionship, celebrates the birth of a baby girl, takes pride in a growing business, and feels a sense of belonging on a family outing to Coney Island.

However, these modest successes are rewarded with the attention of the notorious Black Hand, a gang of brutal extortionists led by Lupo the Wolf. As the stakes grow higher and higher, readers share with Giovanna her desperate struggle to remain outside the fray, and then to fight for—and finally to save—that which is important above all other: family.

When readers first meet Giovanna Costa, the protagonist of Elizabeth Street, she is a young woman about to get married in the small Italian fishing village of Scilla, situated between the Calabrian coast and Sicily’s Aeolian Islands. The town is home to the ancient story of Scylla, the once beautiful nymph turned mythical monster that devoured sailors trying to navigate the Straits of Messina. Midway through Laurie Fabiano’s page-turning novel, which is based on her own family history, Giovanna has landed in the New World but finds herself lodged between Scylla and Charybdis. She arrives grief stricken in New York after her beloved husband, Nunzio, has been killed on a badly managed construction site in Brooklyn. Eventually she will settle into an arranged second marriage, but her troubles continue to multiply. Giovanna will be forced to combat the nefarious forces of the Black Hand, the precursor to the Italian-American Mafia, which has threatened to tear apart her new family.

Supporting herself in New York first as a midwife, Giovanna teams up with a woman doctor from northern Italy. The two become close friends and the doctor shares medical knowledge that Giovanna will combine with her holistic midwifery skills. But Giovanna’s fate changes after deciding to open a small fruit and vegetable market with her new husband. The store is an easy source of potential revenue for criminals offering "protection services," and soon Giovanna’s family becomes their prey. With the same mix of disciplined study and the pinch of southern Italian mysticism that she applied to midwifery, Giovanna will take on the ruthless organized crime syndicate that has kidnapped her daughter and murdered the police lieutenant assigned to protect the neighborhood.

Mario Puzo once claimed, years after writing The Godfather, that he had based the infamous character of Don Corleone on his mother. Fabiano has created in Elizabeth Street a southern Italian heroine fighting those criminal forces that have long victimized poor and vulnerable immigrants. In this multigenerational, well-researched tale, the reader also learns interesting details of the common struggles facing southern Europeans coming to America--how, for instance, Ellis Island inspectors were instructed to mark northern and southern Italians as two separate races; and how the wages for common laborers in parts of the country were divided into three categories, the highest salary paid to "whites," the middle scale for "coloreds," and the lowest amount to "Italians."

Elizabeth Street is both a fascinating immigrant story and an intimate portrait of how a first-generation American--and the author’s own great-grandmother--outwits one of the most brutal crime organizations of the early 20th century. --Maria Laurino

Violet, Klaus, and Sunny Baudelaire are intelligent children. They are charming, and resourceful, and have pleasant facial features. Unfortunately, they are exceptionally unlucky.

In the first two books alone, the three youngsters encounter a greedy and repulsive villain, itchy clothing, a disastrous fire, a plot to steal their fortune, a lumpy bed, a deadly serpent, a large brass reading lamp, a long knife, and a terrible odour.

In the tradition of great storytellers, from Dickens to Dahl, comes an exquisitely dark comedy that is both literary and irreverent, hilarious and deftly crafted. Never before has a tale of three likeable and unfortunate children been quite so enchanting, or quite so uproariously unhappy.

Ages 10+

The Reptile Room begins where Lemony Snicket's The Bad Beginning ends... on the road with the three orphaned Baudelaire children as they are whisked away from the evil Count Olaf to face "an unknown fate with some unknown relative." But who is this Dr. Montgomery, their late father's cousin's wife's brother? "Would Dr. Montgomery be a kind person? they wondered. Would he at least be better than Count Olaf? Could he possibly be worse?" He certainly is not worse, and in fact when the Baudelaire children discover that he makes coconut cream cakes, circles the globe looking for snakes to study, and even plans to take them with him on his scientific expedition to Peru, the kids can't believe their luck. And, if you have read the first book in this Series of Unfortunate Events, you won't believe their luck either. Despite the misadventures that befall these interesting, intelligent, resourceful orphans, you can trust that the engaging narrator will make their story--suspenseful and alarming as it is--a true delight. The Wide Window is next, and more are on their way. (Ages 9 and older) --Karin Snelson

Dear Reader,

If you have not read anything about the Baudelaire orphans, then before you read even one more sentence, you should know this: Violet, Klaus, and Sunny are kindhearted and quick–witted, but their lives, I am sorry to say, are filled with bad luck and misery. All of the stories about these three children are unhappy and wretched, and this one may be the worst of them all.If you haven't got the stomach for a story that includes a hurricane, a signalling device, hungry leeches, cold cucumber soup, a horrible villain, and a doll named Pretty Penny, then this book will probably fill you with despair.I will continue to record these tragic tales, for that is what I do. You, however, should decide for yourself whether you can possibly endure this miserable story.

With all due respect,

Lemony Snicket

Ages 10+

In The Bad Beginning, things, well, begin badly for the three Baudelaire orphans. And sadly, events only worsen in The Reptile Room. In the third in Lemony Snicket's Series of Unfortunate Events, there is still no hope on the horizon for these poor children. Their adventures are exciting and memorable, but, as the author points out, "exciting and memorable like being chased by a werewolf through a field of thorny bushes at midnight with nobody around to help you."

This story begins when the orphans are being escorted by the well-meaning Mr. Poe to yet another distant relative who has agreed to take them in since their parents were killed in a horrible fire. Aunt Josephine, their new guardian, is their second cousin's sister-in-law, and she is afraid of everything. Her house (perched precariously on a cliff above Lake Lachrymose) is freezing because she is afraid of the radiator exploding, she eats cold cucumber soup because she's afraid of the stove, and she doesn't answer the telephone due to potential electrocution dangers. Her greatest joy in life is grammar, however, and when it comes to the proper use of the English language, she is fearless.

But just when she should be the most fearful--when Count Olaf creeps his way back to find the Baudelaire orphans and steal their fortune--she somehow lets her guard down. Once again, it is up to Violet, Klaus, and Sunny to get themselves out of danger. Will they succeed? We haven't the stomach to tell you. (Ages 9 to 12) --Karin Snelson

I hope, for your sake, that you have not chosen to read this book because you are in the mood for a pleasant experience. If this is the case, I advise you to put this book down instantaneously, because of all the books describing the unhappy lives of the Baudelaire orphans, The Miserable Mill might be the unhappiest yet. Violet, Klaus, and Sunny Baudelaire are sent to Paltryville to work in a lumber mill, and they find disaster and misfortune lurking behind every log. The pages of this book, I′m sorry to inform you, contain such unpleasantries as a giant pincher machine, a bad casserole, a man with a cloud of smoke where his head should be, a hypnotist, a terrible accident resulting in injury, and coupons. I have promised to write down the entire history of these three poor children, but you haven′t, so if you prefer stories that are more heartwarming, please feel free to make another selection.

With all due respect,

Lemony Snicket

Ages 10+

"The Baudelaire orphans looked out the grimy window of the train and gazed at the gloomy blackness of the Finite Forest, wondering if their lives would ever get better," begins The Miserable Mill. If you have been introduced to the three Baudelaire orphans in any of Lemony Snicket's previous novels, you know that not only will their lives not get better, they will get much worse. In the fourth installment in the "Series of Unfortunate Events," the sorrowful siblings, having once again narrowly escaped the clutches of the evil Count Olaf, are escorted by the kindly but ineffectual Mr. Poe to their newest "home" at the Lucky Smells Lumbermill. Much to their horror (if not surprise), their dormitory at the mill is crowded and damp, they are forced to work with spinning saw blades, they are fed only one meal a day (not counting the chewing gum they get for lunch), and worst of all, Count Olaf lurks in a dreadful disguise as Shirley the receptionist just down the street. Not even the clever wordplay and ludicrous plot twists could keep this story buoyant--reading about the mean-spirited foreman, the deadly blades, poor Klaus (hypnotized and "reprogrammed"), and the relentless hopelessness of the children's situation only made us feel gloomy. Fans of these wickedly funny, suspenseful adventures won't want to miss out on a single one, but we're hoping the next tales have the delicate balance of delight and disaster we've come to expect from this exciting series. (Ages 9 to 12)

In an isolation experiment, Martin Lake had been below-ground for fourteen months and two weeks. He came up on May 30, Wednesday, 11:35 AM. He discovered that civilization had folded its arms across its breast, closed its eyes, and ceased.

When natural selection wipes the slate, there are always a few survivors. Unfortunately, nature does not select for beauty or intelligence.

Selection Event follows in the tradition of Earth Abides and The Road. In the aftermath of the catastrophe, this is what happens next. People open zoos, sabotage dams, and in a final nihilistic fling, several countries have a small nuclear exchange of greetings.

It is into this that Martin Lake awakens and has to find his way.

103,000 words

WHAT OTHERS HAVE SAID--

Orson Scott Card, Hugo and Nebula winner: "[Wayne Wightman is] ...one of the names I['ve] learned to look for.... He...is a romantic whose stories confess his belief that individuals can be larger than life, that their decisions can change the world around them."

John Brunner, the legend himself: "Wayne Wightman is agreeable company, both in person and via the printed page. As to the former, I'm afraid you will have to wait the chance to make his acquaintance.... As to the latter, however, now's your chance."

Richard Paul Russo, Philip K. Dick Award winner: "One of Wightman's great strengths is his willingness to go to the edge. He pulls no punches, whether the story is serious or violent or manic. You can count on him to take you places other writers shy away from."

In an isolation experiment, Martin Lake had been below-ground for fourteen months and two weeks. He came up on May 30, Wednesday, 11:35 AM. He discovered that civilization had folded its arms across its breast, closed its eyes, and ceased.

When natural selection wipes the slate, there are always a few survivors. Unfortunately, nature does not select for beauty or intelligence.

Selection Event follows in the tradition of Earth Abides and The Road. In the aftermath of the catastrophe, this is what happens next. People open zoos, sabotage dams, and in a final nihilistic fling, several countries have a small nuclear exchange of greetings.

It is into this that Martin Lake awakens and has to find his way.

103,000 words

WHAT OTHERS HAVE SAID--

Orson Scott Card, Hugo and Nebula winner: "[Wayne Wightman is] ...one of the names I['ve] learned to look for.... He...is a romantic whose stories confess his belief that individuals can be larger than life, that their decisions can change the world around them."

John Brunner, the legend himself: "Wayne Wightman is agreeable company, both in person and via the printed page. As to the former, I'm afraid you will have to wait the chance to make his acquaintance.... As to the latter, however, now's your chance."

Richard Paul Russo, Philip K. Dick Award winner: "One of Wightman's great strengths is his willingness to go to the edge. He pulls no punches, whether the story is serious or violent or manic. You can count on him to take you places other writers shy away from."

As the three Baudelaire orphans warily approach their new home Prufrock Preparatory School : they can′t help but notice the enormous stone arch bearing the school′s motto Memento Mori or "Remember you will die." This is not a cheerful greeting and certainly marks an inauspicious beginning to a very bleak story just as we have come to expect from Lemony Snickett′s Series of Unfortunate Events, the deliciously morbid set of books that began with The Bad Beginning and only got worse.

Ages 10+

As the three Baudelaire orphans warily approach their new home--Prufrock Preparatory School--they can't help but notice the enormous stone arch bearing the school's motto Memento Mori, or "Remember you will die." This is not a cheerful greeting, and certainly marks an inauspicious beginning to a very bleak story. Of course, this is what we have come to expect from Lemony Snicket's Series of Unfortunate Events, the deliciously morbid set of books that began with The Bad Beginning and only got worse.

In The Austere Academy, Violet, Klaus, and Sunny are at first optimistic--attending school is a welcome change for the book-loving trio, and the academy is allegedly safe from the dreaded Count Olaf, who is after their fortune. Hope dissipates quickly, however, when they meet Vice Principal Nero, a self-professed genius violinist who sneeringly imitates their every word. More dreadful still, he houses them in the tin Orphans Shack, crawling with toe-biting crabs and dripping with a mysterious tan fungus. A beam of light shines through the despair when the Baudelaires meet the Quagmires, two of three orphaned triplets who are no strangers to disaster and sympathize with their predicament. When Count Olaf appears on the scene disguised as Coach Genghis (covering his monobrow with a turban and his ankle tattoo with expensive running shoes), the Quagmires resolve to come to the aid of their new friends. Sadly, this proves to be a hideous mistake.

Snicket disarms us again with his playful juxtapositions--only he can compare bombs with strawberry shortcake (both are as dangerous to make as assumptions), muse on how babies adjust developmentally to the idea of curtains, or ponder why the Baudelaire orphans would not want to be stalks of celery despite their incessant bad luck as humans. We can't get enough of this splendid series of misadventures, and can only wager that swarms of young readers will be right next to us in line for the next installment. (Ages 9 and older) --Karin Snelson

• Curiosity brought Josh and Dana together…and almost got them killed. Two independent people in their mid-life met through a Maine coast research project that turned deadly. They probed an anomaly and rattled a lethal business kingpin. Josh, ex-Marine turned journalist, and Dana, the young widow of a ‘black ops’ Navy Seal. Their intellectual exercise became more action than theoretical.

• Curiosity brought Josh and Dana together…and almost got them killed. Two independent people in their mid-life met through a Maine coast research project that turned deadly. They probed an anomaly and rattled a lethal business kingpin. Josh, ex-Marine turned journalist, and Dana, the young widow of a ‘black ops’ Navy Seal. Their intellectual exercise became more action than theoretical.